Finding inspiration in Loughborough

Thanks to an invitation from Loughborough History and Heritage Network, we were invited to talk about the Your Sculpture project at their community event ‘The Future of the Past’ at Loughborough University on 21 June.

Amongst talks on local archaeology and history and stands by heritage groups highlighting their projects, Katey Goodwin (PCF) and Alison Yarrington (Professor of Art History, Loughborough University) introduced the plans for the sculpture project to an enthusiastic audience.

After the talk, one lady told us that she had never really paid much attention to public sculpture and took it for granted, but having heard about our project she had been inspired to look at the sculpture around her in a new way and would pay more attention in future. It was good to inspire at least one person!

Loughborough University is home to a collection of sculptures sited across its huge campus and has its own sculpture trail.

I spotted two striking works by the sculptor Paul Wager outside the Sir David Davis building on my way to the event. The image below shows ‘Strike’, a welded steel sculpture, created 1988-1989 and unveiled in 1995.Loughborough Uni 5The adjacent sculpture (below and at the top of this post), also by Paul Wager, is entitled ‘La Retraite’, created in 1986 and unveiled in 1995.Loughborough Uni 6Many of the sculptures on campus can be seen on the Public Monuments and Sculpture Association website and in the published volume Public Sculpture of Leicestershire and Rutland by Terry Cavanagh and Alison Yarrington.

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Top Five Public Sculptures: Stoke-on-Trent

Just choosing five favourite public sculptures in Stoke-on-Trent barely scratches the surface of the public art and monuments spread across the City. Walk or drive around any of the six towns and you’ll encounter both traditional and contemporary sculptures. New works seem to appear regularly.

The latest addition to the city is Golden, a 21ft-high, steel artwork covered in 1,500 glass balls and internally lit by LED lights. Taller than the Angel of the North, it will be seen for miles around. It was installed in May 2015, but its official opening and switching-on ceremony will take place this summer. I’ll wait to see it all lit up before I decide whether it makes it into my top five.

This is very much a personal top five list. If there are other public sculptures in Stoke-on-Trent that you particularly like, feel free to let us know what they are and why you like them.

Privilege_DenisOConnor_Stoke5. Privilege, Denis O’Connor, 2005, Cavour Street and Etruria Old Road

This 9m-high, stainless steel sculpture represents the pottery and steel industries, which used to flourish in Etruria before their demise, and the National Garden Festival, which was held in the area in 1986. Sited by the busy A53, the work is seen by an estimated 30,000 motorists each day. I see it on a regular basis from the car, but have only walked up to it once, to take this photograph on one of the wettest days I’ve ever experienced. Even in a hail storm it looked very impressive.2015-06-03 12.51.19 HDR-1Award-winning sculptor Denis O’Connor has another large public art work in the City, Tree Stories (above), which was created with community involvement to celebrate the local mining industry. Sited in Hanley, this work has also been placed next to a busy road and is seen by thousands of people every day.

Woropay_6_15Jan154. Hand with Chronos, Vincent Woropay, 1990, Stoke-on-Trent Railway Station

I have written about this sculpture before, as its current location does not do it justice, being sited at the far end of platform 2 at Stoke Railway Station where few people venture. If you make the effort to look at it close up, rather than from a moving train, you can see the fingerprints and lines on the hand, as well as the chronos in its palm.

Wedgwood 23. Josiah Wedgwood (1730–1795), Edward Davis, 1863, Station Road, Stoke-on-Trent

Probably the best known of the Staffordshire potters (from being good at marketing, as well as his ceramic-making skills), Josiah Wedgwood greets visitors as they leave Stoke-on-Trent Railway Station. He is seen holding his ceramic copy of the Portland Vase, the 1st-century Roman glass vase in the British Museum.2015-05-27 09.32.57 HDR-1Another, more contemporary sculpture of Wedgwood (above), by Vincent Woropay, was created in 1986 for the National Garden Festival. This brick head was in storage for many years before being repositioned in 2009. It is now sited by Etruria Hall, previously the home of Josiah Wedgwood and close to the location of his 1769 pottery factory. Etruria Hall, which can be seen in the background, is now part of a hotel.

A Man Can't Fly_42. A Man Can’t Fly, Ondre Nowakowski, 1989, Leek Road, Stoke-on-Trent

Sited next to a busy road junction in the City’s University Quarter and close to the railway line, this figure standing on one leg and trying to fly is apparently there to remind us that that ‘we are in too much of a rush to do too much for most of the time’. I pass it on the way to the station, usually whilst worrying if I’ll find a space in the car park, so it’s a message I probably should take on board.A Man Can't Fly_5Ondre Nowakowski works as a full-time freelance artist, has exhibited widely and has works held in public collections, including numerous large scale public art works in the UK.

Her Head_DhruvaMistry_Stoke1. Her Head, Dhruva Mistry, 1986, Gilman Place, Old Hall Street, Hanley

Most of the buildings around Gilman Place are boarded up in advance of development of the area, so this beautiful sculpture’s surroundings do not currently do it justice. This might have been a busier thoroughfare when the work was placed here in 1988, but I do wonder how many people see it. It’s not easily seen by car either, as its back faces the busy city centre ring road.

Dhruva Mistry was born in 1957 in Gujarat, India, and has art works held in major public collections in the UK, India and Japan.'Her_Head'_by_Dhruva_Mistry,_Harris_MuseumThe Harris Museum & Art Gallery, Preston, owns another version of Her Head (above), this one in plaster and shellac. You can also see an oil painting by Mistry on Your Paintings.

 

Further information on Stoke-on-Trent’s public sculpture:

Stoke-on-Trent Sculpture Trail

The Public Monuments and Sculpture Association has produced a book on Staffordshire and the Black Country in their Public Sculpture of Britain series, published by Liverpool University Press.

All images by Katey Goodwin, apart from the image of Her Head at the Harris Museum & Art Gallery, Preston: by Rept0n1x (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons